Art Professors Win UA’s First Kress Grant for Digital Art History

Tanja Jones
Dr. Tanja Jones

University of Alabama art history faculty members Dr. Tanja Jones and Dr. Doris Sung were awarded the Capstone’s first Digital Art History Grant from the Samuel H. Kress Foundation.

The professors received the two-year grant award to fund their project, “Global Makers: Women Artists in the Early Modern Courts,” a digital database that will serve as a tool for art historians who focus on women artists who created art for royal courts during the early modern period, as well as for the general public.

Jones said the database will allow art historians around the world to work collaboratively to advance study in this little-considered area.

“I’ve long been interested in the work of early modern women artists, specifically in Italy between 1400-1700,” Jones said. “While there is considerable literature available on women artists, there was not much on women artists in the courts, which were magnets for cultural production.

“We know a lot about men who worked in the courts, but not much about women, and what we do know is scattered, making it difficult to form a picture of women artists’ experiences there.”

The Kress grant provides funding to develop both the database and a network visualization tool for the site, making visible the connections between the women artists and their patrons. This is being developed via a partnership with Dr. Xiaoyan Hong of UA’s computer science department and the Alabama Digital Humanities Center at Gorgas Library.

Doris Sung
Dr. Doris Sung

Jones began the digital project in 2016. It was focused on European women until Sung, who came to UA in 2018, came aboard.

With a background in digital humanities and art by East Asian women, Sung helped the project gain a global scope.

“The concept of this project in context is very different in East Asia compared to Europe,” Sung said. “In China, for example, women were not appointed court artists until Empress Dowager Cixi became the de facto ruler of China.

“In China, even though women artists weren’t associated with the court, people knew of them. Women at that time weren’t supposed to show their talent because of Confucian decorum. And therefore, their works were rarely mentioned in art historical records.”

The database will be available in spring 2022, Jones said.

Read the original article on the UA News site.